INDEPENDENT CRITICISM
Uzbek cinema deserves critical reflection from within the country, not only a view from outside.
Film Critics Club
Culture Hub Uzbekistan
— an independent professional community bringing together film critics, film scholars, directors and cinematographers. We work without state funding or institutional affiliation.
At the core of our work — are three principles: critical independence, respect for the archive and openness to debuts. We publish in-depth analyses, run the Cinema Transit podcast, and organise screenings and discussions.
Uzbek cinema deserves critical reflection from within the country, not only a view from outside.
Independent criticism is not a privilege but a necessity for any living film culture.
To preserve the memory of films of the past and return them to contemporary cultural dialogue.
To create a space for different opinions, debates and new perspectives on cinema.
It is time to reclaim the right to our own perspective.
The Film Critics Club of Uzbekistan is being created as an independent reflective platform where cinema ceases to be merely a distribution product or an object of museum nostalgia. We are launching this project to affirm the sovereignty of national cinematic thought.
We do not simply watch films. We shape a professional film environment. We believe that strong cinema is impossible without strong, honest and independent criticism.

FILM CRITIC
Writes about Soviet cinema and contemporary debuts

FILM SCHOLAR
Specialist in the history of Uzbek cinema

DIRECTOR
Documentary cinema, teaches at VGIK

JOURNALIST
Festival reporting, Berlin and Venice

CINEMATOGRAPHER
Works with young directors from the region

SCREENWRITER
Screenwriting theory, lecturer

PRODUCER
Independent cinema of Central Asia

FILM CRITIC
Gender and representation in cinema
This independent award will be presented annually in December based on the results of a general vote by the community’s experts, and will reflect a professional and objective choice from an aesthetic point of view.
Critical analyses of classic Uzbek films. Rethinking the Soviet film heritage through a contemporary lens.





Central Asian cinema in a global context. Festivals, co-productions, international connections.





A platform for emerging critics and directors. First works, analyses of graduation films, masterclasses.





What critics and film publications around the world write about our cinema. Every text opens on the publisher’s own site.